洋書 Zenith Press Paperback, How to Draw Aircraft Like a Pro＞☆★140 - SEIKO

＜p＞In 'Shakespeare Study Programs; The Comedies,' Helen A. Clarke and Charlotte Porter curate a profound exploration of William Shakespeare's comedic works, offering readers a dynamic blend of literary analysis and historical insight. This collection stands as a testament to the timelessness of Shakespeare's humor, engaging with themes of love, identity, and social order through a diverse range of stylesーfrom witty banter and slapstick to subtle irony and poignant reflection. The anthology's diversity is meticulously curated, capturing the enduring impact of Shakespeare's comedic genius while inviting readers to explore the nuanced textures of his plays. Standout pieces within the collection provide fresh perspectives on familiar narratives, offering a rich tapestry of interpretations that underscore the Bard's relevance across ages. The editors, Clarke and Porter, bring decades of literary scholarship to this collection, assembling a consortium of voices that reflect a wide spectrum of historical and cultural backgrounds. This anthology aligns with ongoing literary movements that seek to democratize Shakespeare's works, making them accessible and relevant to modern audiences. The contributing authors, steeped in the academic tradition, draw on various cultural and literary sources, making this collection a vibrant dialogue between past and present, tradition and innovation. 'In Shakespeare Study Programs; The Comedies,' readers are invited to bask in the multifaceted world of Shakespeare's humor through a myriad of scholarly lenses. This anthology provides a unique opportunity to discover the interplay of styles and themes within a single volume, enriching the reader's appreciation of Shakespearean comedy. It is an indispensable resource for students, scholars, and aficionados of literature who wish to deepen their understanding of comedic artistry, as well as the cultural dialogues it engenders. This collection promises to provoke thoughtful discussions and inspire new interpretations of the world's most celebrated playwright.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Dit pocketboek is een samenvatting van ‘A Guide to the Project Management Body of Knowledge’, beter bekend als ‘PMBOK? Guide’. Het geeft een snelle introductie en een gestructureerd overzicht van dit populaire raamwerk voor projectmanagement en verduidelijkt ook de mogelijke integratie van agile principes in projectmanagement. De inhoud van dit boek is gebaseerd op de PMBOK? Guide 6th edition uit 2017. Het is bestemd voor iedereen die de PMBOK? Guide wil leren kennen of meer te weten wil komen over een systematische aanpak van projectmanagement, ook bij het werken in agile of hybride projectomgevingen. Het boek is ook handig voor projectopdrachtgevers en projectteamleden in een projectomgeving die als basisreferentie de PMBOK? Guide gebruiken. De doelstelling van dit pocketboek is: ? Snel inzicht bieden in de PMBOK? Guide, inclusief agile concepten en andere PMI-concepten; ? Als verkorte referentie voor projectmanagers die de PMBOK? Guide, agile en PMI-concepten gebruiken; ? Bewustwording cre?ren bij een breder publiek van de meerwaarde van de PMBOK? Guide, agile en PMI-concepten; ? Als referentie voor trainers, adviesorganisaties etc. om gebruik van de PMBOK? Guide, agile en PMI-concepten in de praktijk te ondersteunen. Dit zal projectstakeholders enorm helpen bij het ontwikkelen van een gezamenlijke 'taal' in projectmanagement en projectmanagers praktisch ondersteunen in het verbeteren van de samenwerking met projectteamleden, projectopdrachtgevers en andere stakeholders. Dit pocketboek is afgestemd op de nieuwste PMBOK? Guide ? Sixth Edition (2017), inclusief Agile concepten in projectmanagement, evenals op de laatste updates in de PMI-organisatie. De PMBOK? Guide is afgestemd op de ISO-norm ISO 21500:2012, Richtlijnen voor projectmanagement, de internationale projectmanagementstandaard die is ontwikkeld door de International Organization for Standardization, evenals de ANSI-standaard ANSI/PMI 99-001-2017, The Standard for Project Management, uitgegeven door het American National Standards Institute. Kortom, dit boekje is een complete maar beknopte beschrijving van de PMBOK? Guide, voor iedereen die te maken heeft met projecten of projectmanagement, en dat voor slechts ?17,95!＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

著者：Mark Rowe出版社：Routledgeサイズ：ハードカバーISBN-10：075466340XISBN-13：9780754663409■通常24時間以内に出荷可能です。■ネコポスで送料は1～3点で298円、4点で328円。5点以上で600円からとなります。※2,500円以上の購入で送料無料。※多数ご購入頂いた場合は、宅配便での発送になる場合があります。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

＜p＞The publishing of The Museum Artist was to record the work of one artist who spent his entire life to the portrayal of history through the medium of museums throughout the United States. Born in Monterrey, California to Helen Marie Hall Peters and Cal N. Peters, both artist and my mother author, artist. After several advanced art schools and a stay in the military I spent most of my life as a graphic designer, illustrator and art director in Southern California. When my father was gone I put away his informative writings, and the records that my mother had kept for so many years. As I approached eighty I felt that was left undone, his life as the Museum Artist. My first contact was the University of Wisconsin-Stout. Amazed at the never forgotten attitude and his place in the archives. The first 33 foot long mural has been over the main entrance of Harvey Hall since 1935. The University has a commemoration of the school in 2014-15 and part will be student essays about Cal N. Peters life, work and paintings. As a recent quote from a staff member his presence is still felt in the halls of this University. It is no wonder that I should author The Museum Artist. This book authenticates his work from museum to museum for more than eighty-five years.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞LA NOTTE OSCURA riprendendo le stesse strofe (ne commenta anch'esso due sole) considera che l'anima le pronunzi vivendo ormai nella perfezione, che ? l'unione di amore con Dio, "dopo essere gi? passata per le strette di travagli e di angosce, mediante l'esercizio spirituale della via angusta della vita eterna di cui parla Nostro Signore nel Vangelo, via per la quale l'anima passa ordinariamente per giungere a questa alta e beata unione con Dio".Secondo il proposito del Santo nelle prime due strofe si doveva parlare degli effetti delle due purificazioni spirituali, quella della parte sensitiva e quella della parte spirituale dell'uomo in senso passivo, cio? operata da Dio. Nelle altre sei dovevano essere esaminati i vari e mirabili effetti dell'illuminazione spirituale e dell'unione di amore con Dio, ma effettivamente l'Opera termina con un brevissimo commento alla sola terza strofa.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Subtitled 'A tragicomedy in two Acts', and famously described by the Irish critic Vivien Mercier as a play in which 'nothing happens, twice', ＜em＞En attendant Godot＜/em＞ was first performed at the Th??tre de Babylone in Paris in 1953. It was translated into English by Samuel Beckett, and ＜em＞Waiting for＜/em＞ ＜em＞Godot＜/em＞ opened at the Arts Theatre in London in 1955.＜/p＞ ＜p＞'Go and see ＜em＞Waiting for Godot＜/em＞. At the worst you will discover a curiosity, a four-leaved clover, a black tulip; at the best something that will securely lodge in a corner of your mind for as long as you live.' Harold Hobson, 7 August 1955＜/p＞ ＜p＞'I told him that if by Godot I had meant God I would have said God, and not Godot. This seemed to disappoint him greatly.' Samuel Beckett, 1955＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book is devoted to tracing the variety of ways that theatre, theatricality, and performance are embedded in Hollywood cinema as screened stages.＜/p＞ ＜p＞A screened stage is the literal or metaphorical appearance of a stage on screen. When the Hollywood style emerged in cinema history it traumatically severed the entwined relationship between film and theatre. The book makes the argument that cinema longs for theatre after that separation. The histories of stage and screen persistently crisscross one another making their separation problematic. The screened stage from the end of the nineteenth century until now offers a miniaturized version of cinema and theatre history. Moments of the stage within the screen compress historical styles and movements into saturated representations on film. Such examples overflow the cinematic screen into singular manifestations of presentness. Screened stages uncover what it means to be simultaneously present and absent.＜/p＞ ＜p＞This book would be of great interest to students and scholars of theatre, film, dance, and performance.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Public trust in the once powerful institutions of the News Establishment is declining. Sharing, curating and producing news via social media channels may offer an alternative, if the difficult process of verification can be mastered by social journalists operating outside of the newsroom. ＜em＞Navigating Social Journalism＜/em＞ examines the importance of digital media literacy and how we should all be students of the media. Author Martin Hirst emphasizes the responsibility that individuals should take when consuming the massive amounts of media we encounter on a daily basis. This includes information we gather from online media, streaming, podcasts, social media and other formats. The tools found here will help students critically evaluate any incoming media and, in turn, produce their own media with their own message. This book aims both to help readers understand the current state of news media through theory and provide practical techniques and skills to partake in constructive social journalism.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Drama in the Romantic period underwent radical changes affecting theatre performance, acting, and audience. Theatres were rebuilt and expanded to accommodate larger audiences, and consequently acting styles and the plays themselves evolved to meet the expectations of the new audiences. This book examines manifestations of change in acting, stage design, setting, and the new forms of drama. Actors exercised a persistent habit of stepping out of their roles, whether scripted or not. Burwick traces the radical shifts in acting style from Garrick to Kemble and Siddons, and to Kean and Macready, adding a new dimension to understanding the shift in cultural sensibility from early to later Romantic literature. Eye-witness accounts by theatre-goers and critics attending plays at the major playhouses of London, the provinces, and on the Continent are provided, allowing readers to identify with the experience of being in the theatre during this tumultuous period.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。